Many interpretations refer to the importance of not choosing the most taken road while it is about the regret we make over the past decisions. Do you know me in the gloaming, Gaunt and dusty grey with roaming? I'm sure most people would say the same. The Road Not Taken published in the year 1916 is one of his finest accomplishments as a poet. He knows that it is impossible to travel both being one individual and stands in the middle analyzing the condition. We've all been faced with challenging decisions in our lives, and sometimes the difficulty of making those decisions arises from the fear of not knowing if what we choose is right, or what will happen as a result of our choice.
If so, what feeling in this poem of mixed feelings, should be regarded as dominant? He has come up with a statement to speak about the choice he has to make. He thinks the path he decides to take is not quite as worn as the other one, but really, the paths are about the same, and the fallen leaves on both look pretty fresh. Robert Frost was a well-known American modernist poet. I left you in the morning, And in the morning glow, You walked a way beside me To make me sad to go. That choice determines our destiny.
The young minds immediately connect to The Road Not Taken as it represents them while taking unknown decisions. He must make a decision. Using yellow wood as a symbolic gesture to old age approaching fast, his ultimate choice will bear the brunt over the remnant of his days. The Road Not Taken by Robert Frost: Summary and Analysis The Road Not Taken is a poem by four Pulitzer Prize winner American poet Robert Frost, published in 1916 as the first poem in the collection 'Mountain Interval'. Together with 'Stopping by Woods on a Snowy Evening', this poem 'The Road Not Taken' is one of the most anthologized, beloved and frequently studied poem in different levels in literature classes. However, the last line of this stanza, and of the poem as a whole, is a bit ambiguous.
Because of the next to last line of the poem, many people incorrectly believe that the title of the poem is 'The Road Less Traveled,' but it's not. The hesitation of a strong but humble man, a man who pauses before he makes a decision not because he is timid, but simply because he is accustomed to weighing and considering all his choices, even the simplest ones. He looks down one road as far as he can see, and after thinking for another minute, decides to take the other one because it looks like nobody's been that way yet, and he's curious about where it leads. During the journey, the speaker expresses doubt if he can ever return to the first road. In most lines, the meter follows the rule with four iambs, which means that there is one unstressed syllable followed by a stressed syllable. The grassy roads and yellow woods represent the present as the individual views from a future perspective. His work was initially published in England before it was published in America.
The stanzas are arranged like that of a thought. This poem is representative of the journey of life and many options that we face throughout our life where we have to make choices one over another. Each line consists of four strained syllables. Critics of this poem are likely always to argue whether it is an affirmation of the crucial nature of the choices people must make on the road of life or a gentle satire on the sort of temperament that always insists on struggling with such choices. The majority of the lines contain nine syllables. Furthermore, we have the use of first person, where the almost universal effect is to have an in-depth look into the character and their immediate response to a problem or dilemma. He decides to save the first, perhaps more traveled route for another day but then confesses that he does not think it probable that he will return.
Robert Frost wrote in new ways, but still kept some traditional characteristics. Imagery is the primary concept of this work. If a decision is taken without proper understanding or in the heat of things, it could lead to worrying and the individual might express doubts about that choice. Like his contemporaries, Frost favored using simplified language in his poems. The road mentioned in this poem is actual and figurative.
However, the problem is that convenient routes lead to convenient destinations. His lack of initiative and indecision causes him immense discomfort and hesitation, as a result. He is interested in the paradox of life. Just print, make copies, and accept accolades from colleagues and students. The narrator eventually decides to take the other road because it really does not matter. These are the facts; we cannot justifiably ignore the reverberations they send through the easy aphorisms of the last two stanzas. Like many modernist poems, Frost leaves it vague and open to interpretation.
This sets the mood of indecision that characterizes the language of the poem. He is staring down one road, trying to see where it goes. But unlike other modernist poets, Frost stuck to using traditional meter and rhyme. His interpretation is both roads are fundamentally the same. This structure is maintained through out the poem. The flexible iambic meter has four strong beats to the line. Ultimately, the reader is left to make up their own mind about the emotional state of the speaker at the end.